Brief premise: In 1948, Monk said, “We liked Ravel, Stravinsky, Debussy, Prokofiev, and Schoenberg, and we may have been influenced a little,” though he did not name specific pieces.

 Brief premise: In 1948, Monk said, “We liked Ravel, Stravinsky, Debussy, Prokofiev, and Schoenberg, and we may have been influenced a little,” though he did not name specific pieces.

Stravinsky (representative tracks that make his traits easy to hear)

“Stravinskian inside Monk” (with reasons)

Note: Because direct testimonies naming specific Stravinsky works Monk admired are scarce, the Monk selections above are offered as audible examples of shared “methods of making”—rhythmic displacement, block repetition, and symmetric scales. If you’d like, I can swap in other versions (official/high-fidelity releases).

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